Fl studio separate input output5/11/2024 ![]() ![]() ![]() If you just need some connections for instruments or microphones as a solo musician or a smaller band, I'd go for the Steinberg UR44: I would rather save some money for your future audio interface, because it will have a big impact on your possibilities as a musician or maybe even as a whole band.Īnd I would always recommend an audio interface with a good separate current supply, one that doesn't come from standard USB connection 'cause it might also affect the sound quality and audio definition - I experienced this phenomenon when using headphones at two different audio interface models of the same series: Steinberg UR22 (USB current supply) and Steinberg UR44 (separate current supply), where the Steinberg UR44 provides a better bass, mid-range and high frequency definition (and I still think it's because of the better current supply). Just install audio interface drivers, connect the audio interface via plug & play and it will usually work with most other PC systems. ![]() New system software, new PC - usually no problem. The big advantages of an audio interface over a standard sound card are:ġ) high sound quality and accurate, truthful sound and frequency responseĢ) high functionality and much more connection possibilities depending on the interface and your budget (like several connections for instruments, microphones, headphones, studio monitor speakers, USB and MIDI connections)ģ) improved latency (no big delays at live recordings of voice and instruments) and much better DAW performanceĤ) Since audio interfaces are improved sound cards, you won't need to buy and upgrade soundcards anymore.Ī current audio interface might still be good for music production (or just for listening to music, gaming and cinematic experiences) in 20 years.ĥ) With external audio interfaces you're kinda independent. You might be looking for an audio interface (which is some kind of a professional sound card unit for music production). Looking at some of the less expensive interfaces with two channels (like this one ), I'm left wondering: will the signal going into the interface get processed by the computer before going to the outputs for listening? Or will the signal coming in from the mixer just go directly to the outs regardless of the USB connection? Once I have the two independent signals on the L and R channels respectively (now both in mono), I then set up two completely separate tracks/FX for them in the DAW and then invert the panning so they're centered (more or less) and in stereo but with each "stage" having their own unique processing chain. Maybe this is a silly approach, but since the three inputs are ultimately reduced down into a L and R signal and fed into the DAW, I pan the acoustic signal entirely to one side with the electric signal panned to the other. I use 2 mics for the acoustic space, one line for the electric pickup, and then combine both the acoustic and electric signals which results in what sounds like two different guitars playing together simultaneously. you need to draw a clear line in the sand regarding what you want from FL effects-wise and what you want to do in Live.The most I record simultaneously is three input lines when I play my hollowbody electric guitar so I don't think I can get rid of my mixer for recording. make sure that you're not performing tasks in one that should be done in the other and/or performing/adding tasks/edits/effects that may conflict or muddy your sound when stacked with the effects in the host or slave. i would definitely check the settings on both DAWs, if I were you. it allowed me to permanently lock in the swing that FL gave the beat. this simplified stem exports.Īnother reason was. my logic being that if one stopped support of a protocol or a feature and the DAW became unusable, no longer affordable, etc i would have moved passed the dependency on two DAWs to play a single track (song). One of the reasons that i did it that way was because, in the end, i wanted all the music in one DAW rather than two. that would allow me to edit the drums in Live as waveforms and use audio effects on them. then, when i knew i was happy with the pattern and the swing, i would record the drums to an audio track, or audio tracks, in Live. What i used to do was re-wire to get the drums and groove from FL (because Live had no groove then and even now FL has WAY better groove IMO). at least, not until you start fiddling after the fact. but i have to admit, that doesn't seem right. there might be some effects that don't translate over the re-wire. ![]()
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